On Lucy Countess Of Bedford - Figurative Language.
This famous work was probably written in 1627 when both Donne’s friend Lucy, Countess of Bedford, and his daughter Lucy Donne died. Three years later, in 1630, Donne wrote his will on Saint Lucy’s day (13 December), the date the poem describes as “Both the year’s, and the day’s deep midnight.
Twickenham Garden was (IIRC) an estate with a traditional Renaissance garden belonging to Lucy, Countess of Bedford, who was Donne's patroness. This won't necessarily help you follow the poem, but it at least illuminates Donne's flattery: he comes to this garden because it's so very lovely.
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Pages 609-614. Calendar of the Cecil Papers in Hatfield House: Volume 19, 1607.Originally published by Her Majesty's Stationery Office, London, 1965.
XCIV. To Lucy, Countess of Bedford, with Mr. Donne’s Satires XCV. To Sir Henry Savile XCVI. To John Donne XCVII. On the New Motion XCVIII. To Sir Thomas Roe XCIX. To the Same C. On Playwright CI. Inviting a Friend to Supper CII. To William, Earl of Pembroke CIII. To Mary, Lady Wroth CIV. To Susan, Countess of Montgomery CV. To Mary, Lady.
THE FORMAL GARDENS AT MOOR PARK IN THE SEVENTEENTH AND EARLY EIGHTEENTH CENTURIES There is a famous description of the seventeenth-century gardens at Moor Park, Hertfordshire, written by Sir William Temple. They were begun by Lucy Harrington, Countess of Bedford, c.1617 and probably developed by William Herbert, 3rd Earl of Pembroke.
Following the successful publication of John Dowland's First Booke of Songs for lute and voices in 1597, the lutenist and composer gained a court post. It was not the one in England he had sought from Elizabeth I, but at the court of the Danish King Christian IV, a discerning patron of music who offered Dowland a generously paid position as court lutenist.